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Max Bor Art
Product description
Ink on paper. 1990
These two geometric ink compositions stand as a testament to the artist’s precision and a deep-rooted sense of structural aesthetics. Employing a series of interlocking lines and rectangles, the pieces evoke a rhythmic harmony reminiscent of modernist architectural design. The meticulous linework is not only precise but also imbues the artwork with a sense of depth and dimension.
The artworks, though minimalist in their monochromatic palette, are captivating in their layered complexity and balance. The stark contrast between the black ink and the white paper creates an energetic dialogue, drawing the viewer’s eye to the intersections and patterns that emerge. The artist’s embossed signature subtly anchors these compositions, marking them as part of a coherent, thoughtful oeuvre.
Perfect for those who appreciate contemporary and abstract art, these works bring sophistication and structure to any space they inhabit.
Eugène Eechaut 1928-2019
Since the 1960s, he has exhibited alongside Magritte at the Pfeiffer Gallery in Brussels. And several photos show them together. He exhibited at the Tamara Pfeiffer Gallery in 1969 with, for example: Ambrogiani, Bricault, Jean Cocteau, G de Pauw, De Muylder, Max Ernst, Hilaire, Jamotte, Felicien Robs, etc... as evidenced by the invitation card included in the photos.
In 1958 E. Eechaut received his first distinctions as a painter at the "European Center for Art and Aesthetics." From 1968, he participated and organized with "the Tamara Pfeiffer Gallery" and during the 1960s and 1970s. His style, which will initially be called "FANTASTIC" art with elegance and finesse in his interpretations. His colors, which instantly seduce us, reveal the subject, a subject that ultimately captivates us. Throughout his career, E. Eechaut rubbed shoulders with and exhibited in the greatest galleries and art exhibitions in Europe. In catalogs and invitations, we find artists such as Jean Cocteau, René Magritte, Dunoyer de Segonzac, Léon Navez, Félicien Rops, Paul Klee, and many others. E. Eechaut, a wealthy man for whom the sale of his works was impossible, even within his own family. He jealously guarded his production, hence the lack of information and the lack of sales results for his work.
His recently rediscovered studio opens the doors to his numerous works in their entirety. The archives of his career were found at the same time as his work, giving it another dimension.
The artist’s stamp certifies the authenticity and originality of the works
Have small inperfections
Have small inperfections
Specifications
ConditionGoodColorsWhite, BlackMaterialPaperNumber of items1Height36 cmWidth27 cm