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Image 1 of Eugene Eechaut (1928-2019) - Ink Composition. 1988
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Eugene Eechaut (1928-2019) - Ink Composition. 1988

SellerMax Bor Art
€150Offer from €120

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Max Bor Art
Bruxelles, Belgium
Product description
Ink on paper. Hand signed. 1988. This powerful black and white artwork showcases the artist’s exceptional skill in working with ink. The twisted, branching silhouette of the tree is rendered with precise, confident lines, demonstrating the artist’s mastery of the medium. The fluidity of the ink is skillfully harnessed to create a dynamic, textured backdrop, evoking both stormy skies and abstract terrain. The interplay of light and shadow, coupled with the artist’s ability to control ink’s unpredictable nature, lends the piece a dramatic and surrealist quality. This level of control highlights the artist’s deep understanding of the medium and their ability to evoke complex emotions through simplicity and contrast. Eugène Eechaut 1928-2019 Since the 1960s, he has exhibited alongside Magritte at the Pfeiffer Gallery in Brussels. And several photos show them together. He exhibited at the Tamara Pfeiffer Gallery in 1969 with, for example: Ambrogiani, Bricault, Jean Cocteau, G de Pauw, De Muylder, Max Ernst, Hilaire, Jamotte, Felicien Robs, etc... as evidenced by the invitation card included in the photos. In 1958 E. Eechaut received his first distinctions as a painter at the "European Center for Art and Aesthetics." From 1968, he participated and organized with "the Tamara Pfeiffer Gallery" and during the 1960s and 1970s. His style, which will initially be called "FANTASTIC" art with elegance and finesse in his interpretations. His colors, which instantly seduce us, reveal the subject, a subject that ultimately captivates us. Throughout his career, E. Eechaut rubbed shoulders with and exhibited in the greatest galleries and art exhibitions in Europe. In catalogs and invitations, we find artists such as Jean Cocteau, René Magritte, Dunoyer de Segonzac, Léon Navez, Félicien Rops, Paul Klee, and many others. E. Eechaut, a wealthy man for whom the sale of his works was impossible, even within his own family. He jealously guarded his production, hence the lack of information and the lack of sales results for his work. His recently rediscovered studio opens the doors to his numerous works in their entirety. The archives of his career were found at the same time as his work, giving it another dimension.

The edges of the paper are little bit wavy because of the ink washing technique

Specifications
ConditionVery goodColorsWhite, BlackMaterialPaperNumber of items1Height72 cmWidth53 cm


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Max Bor Art
Bruxelles, BelgiumWhoppah member since April 2024
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