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Max Bor Art
Product description
Ink on paper. 1978/81
This pair of abstract ink compositions draws the viewer into a world of structural elegance, defined by meticulously arranged geometric shapes and finely drawn lines. The artist skillfully combines rectangles and varied line patterns, establishing a dynamic interplay of density and openness within each piece. One piece features a subtle, sweeping curve that introduces an organic element to the otherwise architectural forms, creating a fascinating contrast. The intricate use of lines evokes a sense of movement and layered depth, while the minimalist palette emphasizes the precision of the artist’s technique. Together, these artworks present a cohesive yet complex visual experience, balancing rigidity with fluidity in a manner that is both harmonious and thought-provoking.
Eugène Eechaut 1928-2019
Since the 1960s, he has exhibited alongside Magritte at the Pfeiffer Gallery in Brussels. And several photos show them together. He exhibited at the Tamara Pfeiffer Gallery in 1969 with, for example: Ambrogiani, Bricault, Jean Cocteau, G de Pauw, De Muylder, Max Ernst, Hilaire, Jamotte, Felicien Robs, etc... as evidenced by the invitation card included in the photos.
In 1958 E. Eechaut received his first distinctions as a painter at the "European Center for Art and Aesthetics." From 1968, he participated and organized with "the Tamara Pfeiffer Gallery" and during the 1960s and 1970s. His style, which will initially be called "FANTASTIC" art with elegance and finesse in his interpretations. His colors, which instantly seduce us, reveal the subject, a subject that ultimately captivates us. Throughout his career, E. Eechaut rubbed shoulders with and exhibited in the greatest galleries and art exhibitions in Europe. In catalogs and invitations, we find artists such as Jean Cocteau, René Magritte, Dunoyer de Segonzac, Léon Navez, Félicien Rops, Paul Klee, and many others. E. Eechaut, a wealthy man for whom the sale of his works was impossible, even within his own family. He jealously guarded his production, hence the lack of information and the lack of sales results for his work.
His recently rediscovered studio opens the doors to his numerous works in their entirety. The archives of his career were found at the same time as his work, giving it another dimension.
The color of paper might be not so white like 45 years ago, when they were created.
The color of paper might be not so white like 45 years ago, when they were created.
Specifications
ConditionVery goodColorsWhite, BlackMaterialPaperNumber of items1Height36 cmWidth27 cm